‘Flash fiction makes the daily discipline of writing a lot more fun. And it can spark real creativity’

Guest Post by Margot Kinberg, academician, writer, and blogger. She recently released her fourth novel, Past Tense, in her acclaimed Joel Williams series. Margot also writes short stories and flash fiction, and regularly blogs about crime fiction at Confessions of a Mystery Novelist...

© Margot Kinberg

Writing is a lot like any other skill: it needs to be honed. And that means writing on a daily basis. One of the best ways I’ve found to do that is through flash fiction.

One thing I love about flash fiction is that it allows the writer to play with ideas without the commitment to a long story or a novel. And that allows for all sorts of experimentation and exploration. To put it another way, flash fiction makes the daily discipline of writing a lot more fun. And it can spark real creativity.

Flash fiction is also really versatile. For example, my host, Prashant, is quite skilled at 100-word stories called Drabbles. That structure encourages the writer to use powerful language that tells a story in just a few words. You can even try a shorter format – the 50-word story that author and fellow blogger Rob Kitchin has called the Dribble. Both formats help the author to reduce a story to its essentials, and convey quite a lot with a few well-chosen words. That’s got much to recommend it.

Those micro-stories aren’t for every writer. Some writers choose slightly longer flash fiction stories. Those allow for a little more atmosphere and character development, and they can be really helpful for the writer who’d like to work on those skills. Again, it’s an effective way to some vital daily practice.

Because flash fiction is flexible, that means the writer can try different voices, different genres, and so on. It also means that established authors with a continuing series can ‘test the waters’ with new characters and settings.

The benefits of flash fiction go beyond helping the writer hone skills. Flash fiction also helps to build (or keep) a reading audience. Publishing flash fiction on one’s blog or other website introduces the author to readers. Then, when there’s a forthcoming book, readers are more likely to be interested. The same may happen for editors or agents who are looking for new talent.

Flash fiction can also provide interesting opportunities for publication. Sometimes, magazines or other journals open up to submissions of flash fiction. There are also flash fiction competitions. All of those allow the author the chance for wider recognition.

Sometimes, an idea that comes from a flash fiction story can develop into something more substantive. Just one element of a shorter story can inspire something longer – even a novel. For example, in one of my flash fiction pieces, Planting Season, a body is found buried at a landscaping site. It got me to thinking about how remains might be discovered, and that’s just what I needed for a novel I was writing.

That novel turned out to be Past Tense, which has recently been released. In Past Tense, construction workers uncover a 40-year-old set of remains that turn out to be connected with a missing person case from 1974. My protagonist, former police detective-turned-professor Joel Williams, works in tandem with the police to find out the truth behind that death.

Admittedly, the main plot of Past Tense isn’t very similar to the plot of Planting Season. But the idea from that flash fiction piece helped me put together a plot element that I needed. And that ‘fed’ the novel. I got other little bits of ideas for the novel from other flash fiction I’ve done.

And that’s the thing about flash fiction. Not every piece will lead anywhere. Lots of mine don’t. But you never know when one or another piece might fill in a plothole, give you an idea for a character, or add a touch of atmosphere to something larger you’re writing. Some pieces might even evolve into a novel.

Thank you very much, Prashant!


Here’s more about Past Tense

A long-buried set of remains…a decades-old mystery

Past and present meet on the quiet campus of Tilton University when construction workers unearth a set of unidentified bones.

© Grey Cells Press

For former police detective-turned-professor Joel Williams, it’s a typical Final Exams week – until a set of bones is discovered on a construction site…

When the remains are linked to a missing person case from 1974, Williams and the Tilton, Pennsylvania police go back to the past. And they uncover some truths that have been kept hidden for a long time.

How much do people really need to know?

It’s 1974, and twenty-year-old Bryan Roades is swept up in the excitement of the decade. He’s a reporter for the Tilton University newspaper, The Real Story, and is determined to have a career as an investigative journalist, just like his idols, Bob Woodward and Carl Bernstein. He plans to start with an exposé article about life on the campus of Tilton University. But does everything need to be exposed? And what are the consequences for people whose lives could be turned upside down if their stories are printed? As it turns out, Bryan’s ambition carries a very high price. And someone is determined not to let the truth out.